Color Grading S-Log3 Footage Within Final Cut Pro 11

This is how to color grade S-Log3 video within Final Cut Pro 11. I film S-Log3 with my Sony A7RV and optimize the video’s color within Final Cut Pro 11. Final Cut Pro 11 has built-in LUTs for S-Log3 but third-party LUTs can be utilized as well. Color grading S-Log3 can be a basic process like I demonstrate within this video or can be an extremely time-consuming process. It’s a matter of how much one wants to refine the S-Log3 footage. #Slog3 #SLog #LOG #LUT What is S-Log3? If you use a Sony Alpha camera like A7RV that supports S-Log3, this should be your preferred video mode. Picture Profile 9 is S-Log3 on the A7RV. By filming video with S-Log3, the video can be optimized within post-production with look-up tables (“LUTs”) and also by performing additional color correction. Think of S-Log3 for video like RAW for still photos. Filming in S-Log3 provides a lot more flexibility within post-production. #S-Log3 #SonyAlpha #A7RV #ILCE7RM5

▶︎Sony A7R5 – https://irixguy.com/a7r5